Articles tagged haskell wexler, medium cool, cinematography, vietnam, virginia woolf, in the heat of the night, bound for glory, faces, american graffiti, verite, documentary, art,

TIFF 2017: ‘Faces Places’ (Visages Villages)

Agnès Varda's usual cinematic beauty and charm come through, with her subjective experience creating a wonderfully delightful film about art.

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O Brother, How Art Thou? Grayson Perry’s ‘The Descent of Man’

The Descent of Man is a spider's web of a book: fine, delicate and strong, catching and highlighting the trappings of modern masculinity without force.

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TIFF 2017: ‘Ta peau si lisse’ (A Skin So Soft)

Denis Côté introduces viewers to five bodybuilders, the alternative beauty of their insular community, and their magnificent descent into nature.

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The Realpolitik of Wildlife Conservation is Explored in Documentary, ‘Trophy’

Trophy pits emotionally unsettling images against a sophisticated blend of practical justifications which compel a more mature outlook on the correlation between big game hunting and wildlife conservationism.

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The Pleasure Is in the Hunt: Tomas Leach, Director of Documentary ‘The Lure’

"There’s a beauty... about the fact that we can wholeheartedly throw our selves into something, even if we think the end thing might be impossible, futile or non-existent."

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‘David Lynch: The Art Life’ Pulls the Garmonbozia Directly Out of the Auteur Himself

This insightful documentary brings advanced closure to lingering questions we may have when Twin Peaks: The Return ends its triumphant televisual revival in September.

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Crowd Pleasing ‘Step’ Brims With Humanity and Courage

Amanda Lipitz’s debut feature is an unrepentant hug in a world more accustomed to gut punches.

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‘Maudie’ Director Aisling Walsh on the Enduring Appeal of Cinema’s Collaborative Nature

"You get younger people in to see this movie and they're hugely effected. I’ve heard teenagers walk out saying: “I never knew you could make a film like this."'

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‘Brillo Box (3 Cents Off)’ Views an Iconic Warhol Artwork From a Personal Lens

It may have sold for $3 million, but still, is it art? Andy Warhol's Brillo Box is a tale of art and commerce that resonates in these times.

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What Is Real in the YouTube World of ‘Presenting Princess Shaw’?

Presenting Princess Shaw simultaneously exposes and obscures the process of documentary-making.

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Clearly, ‘Buena Vista Social Club’ Belongs in the Pantheon of Essential Music Documentaries

Win Wenders beautifully intersperses images of concert footage with more intimate performances of the same song. The differences are both illuminating and affecting.

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Film ‘Nobody Speak’ Offers a Chilling View of the Challenges in a World of Trump and Billionaires

Many Americans felt anxious after the election of President Donald Trump. But few harbored the dread that Brian Knappenberger did.

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Observe and Report: The Ethics of ‘Cameraperson’

Cameraperson is observational in ways both purer and more complex than much of what appears in documentaries edited to appear as objective works.

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Lars von Trier’s Not So Manic ‘Nymphomaniac’

Much to my surprise, Von Trier’s provocation in the Nymphomaniac films is neither abhorrent nor bawdy.

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‘In Pursuit of Silence’ Challenges the Senses

In Pursuit of Silence's technical mastery overcomes its overuse of interview commentary to illustrate silence's numerous edifying properties.

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‘Maudie’ Explores How Art Can Come From the Most Unlikely Places

Sally Hawkins lifts her complex role with a graceful energy, helped by Maudie's visual approach, which is sometimes delicately impressionistic and sometimes more artisanal.

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Summer Turns to Fall: Revisiting the ‘Summer of Love’ 50 Years Later

Summer of Love simultaneously demonstrates why that moment in the cultural timeline is worth commemorating, what its legacy is, and what was lost as summer turned to fall.

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In ‘The Blood is at the Doorstep’, a Family Suffers From an Intransigent Criminal Justice System

Erik Ljung's work is an auspicious cinematic debut which reminds that for every criminal justice statistic, there's a stirring story which deserves to be deeply considered.

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Human Rights Watch Film Festival 2017: ‘Black Code’ + ‘Bill Nye’ + ‘The Blood Is at the Doorstep’

A trio of documentaries on ostensibly diverse subjects (suppression of online dissent, a climate change crusade, a family’s struggle for justice after a police shooting) all circle back to the fight for agency in the modern world.

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Human Rights Watch Film Festival 2017: ‘Nowhere to Hide’

Zaradasht Ahmed's opening night film is a quiet but searing portrait of an Iraqi family hurled into exile by the chaos that followed the 2011 pullout of American forces.

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Treasuring Memories of Paul McCartney on 'One on One' Tour

// Notes from the Road

"McCartney welcomed Bruce Springsteen and Steven Van Zandt out for a song at Madison Square Garden.

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