Articles tagged henry cavill, the tudors, superman, christian bale, edward pattinson, johnny depp, jonathan rhys meyers, television, film, daniel craig, batman, james bond, edward, twilight, franchise

20 Oct 2006 // 3:54 AM

The Prestige (2006)

This trick -- The Transported Man -- is at the center of the film's thematic concerns with replication, movement, and deception.

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13 Oct 2006 // 12:00 AM

Infamous (2006)

When Truman quite gleefully describes his plan to use 'fictional techniques' to tell his nonfiction story, to shape the Clutter murders as an emblem of cultural malaise, Nelle insists on a knowable distinction between fact and fiction.

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29 Sep 2006 // 2:00 AM

Renaissance (2006)

Illusion is frequently the threat in noir (the dark alley hides a killer, the femme is fatale), but the SF angle in Renaissance tweaks the possibilities.

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22 Aug 2006 // 12:00 AM

The Libertine (2004)

Rochester is "a beaten man," observes writer-director Laurence Dunmore, "Whilst he sort of knee-jerks the defiance."

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Pirates of the Caribbean: Dead Man’s Chest (2006)

Demented and punctuated by Depp's scowls and "oofs," Jack Sparrow's stunty bits are mostly amusing and sometimes even surprising.

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Howl’s Moving Castle (2004)

Howl's Moving Castle ticks with nervous energy and unsettledness. These jittery-edged images conjure exquisite rhythms as they approximate children's perspectives.

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9 Mar 2006 // 11:00 PM

The Libertine (2004)

John Wilmot, the Second Earl of Rochester (Johnny Depp), is always the smartest guy in the room.

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13 Jan 2006 // 1:00 AM

Tristan & Isolde (2006)

Long-haired, nubile, and eager to please, Tristan seeks a consuming passion, but is fated to fall limp in the arms of a girl who can't make up her mind.

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23 Dec 2005 // 1:00 AM

The New World (2005)

The New World is ambitious and gorgeous, the landscape serving as a kind of objective correlative for characters' cravings and astonishments.

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23 Dec 2005 // 1:00 AM

Munich (2005)

Munich is about the shifting meaning the city's name took on after that dire moment in 1972, the shorthand it became for survivors, historians, and avengers.

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Charlie and the Chocolate Factory: Two-Disc Deluxe Edition (2005)

Tim Burton's movie is mostly perky, slightly edgy, and dully episodic.

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Batman Begins (Two-Disc Deluxe Edition with Comic Book) (2004)

Nolan's Batman is perpetually knotted up, unable to forget his dead parents, seeking a vague solace in his hard body's capacity for violence.

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4 Oct 2005 // 1:00 AM

Layer Cake (2004)

Daniel Craig ensures that you see XXXX's mind wheels turning as he confronts each new impasse.

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28 Sep 2005 // 1:00 AM

Hellraiser: Hellworld (2005)

While Hellworld is a pretty good generic horror movie, it is an abysmal Hellraiser film.

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Charlie and the Chocolate Factory (2005)

This being a Tim Burton film, the celebration of childish pleasures is not simply joyous, but tweaked.

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Howl’s Moving Castle (2004)

Charming, peculiar, and occasionally ingenious, Howl's Moving Castle tilts between fantastical beauty and philosophical pondering.

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16 Jun 2005 // 1:00 AM

Batman Begins (2005)

Christian Bale brings a menace to Batman, making him radically distinct from alter ego Bruce Wayne.

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9 Jun 2005 // 1:00 AM

The Machinist (2004)

Trevor is an image disappearing, more about reduction and loss than self-knowledge and identification.

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28 May 2005 // 1:00 AM

Layer Cake (2004)

The hero of Layer Cake has no name. This matters less than you might think.

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23 Mar 2005 // 1:00 AM

Finding Neverland (2004)

'Play' is a means to define childhood, to prolong mythic innocence, to grant nobility.

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Double Take: 'The French Connection' (1971)

// Short Ends and Leader

"You pick your feet in Poughkeepsie, and we pick The French Connection for Double Take #18.

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