Thursday, May 15 2008
Wednesday, May 7 2008
In Hou Hsiao-hsien's first French film, interactions are mirrored and refracted, images of images, reflections of longing.
Friday, April 28 2006
Seen individually, the three sections of Three Times would be impressive; taken altogether, they're devastating.
Friday, July 15 2005
Café Lumiere recreates Japan's lush colors and busy depths, but doesn't imbue them with any universal meaning.
Monday, August 9 2004
A filmmaker fixated on the continuing past, Hou has become the foremost chronicler of our mortality.