By Matt Mazur
Oscar-winner Tilda Swinton talks to PopMatters about a quiet, sophisticated melodrama set in a golden cage, Carlo Cracco-inspired gastro-porn, and the glint of cinematic gold captured in a still moment.
'The Witness': Puzzles Are Teachers, Puzzles Are Bullies
Tindersticks: The Waiting Room
Ryuichi Sakamoto and Alva Noto: The Revenant
Brown Lives Don’t Matter in the Dark and Cruel World of 'Visaranai'
A No-Nonsense Agenda for the Left
Sierra Hull: Weighted Mind
Shovels and Rope: Busted Jukebox, Vol. 1
'The New Mutants' Is Rooted Both in Scholarship and in the Rich History of Superhero Narratives
"The overall response to Beyoncé's "Formation" has been startlingly positive, but mostly for reasons attached to political agendas. It's time to investigate this trend.