By Zachary Houle
If it were possible to both love a song for its beauty and hate it for its oversaturation and slushiness at the same time, “If You Leave Me Now” would be Exhibit A.
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
'Ex Machina' and the Moral and Intellectual Facets of AI Development
Lianne La Havas: Blood
LA Priest: Inji
These '3-D Rarities' Are Relaxing and Refreshing to the Eye
Miles Davis: Miles Davis at Newport: 1955-1975: The Bootleg Series Vol. 4
"This film feels like a template for subsequent multi-character airplane-disaster and crash projects, all the way down to Lost.