Thursday, April 2 2009
In Truffaut, the camera works not to keep the viewer out of the constructed reality of the film but rather to draw the viewer into the artifice, to make the viewer complicit in its feigned reality
Monday, July 12 2004
'At the beginning, says Bertolucci,' the characters are a bit unshaped, and day after day, you can see them becoming something new, something that didn't exist before.
Thursday, February 5 2004
The frustration of The Dreamers lies in its easy lapsing into such unimaginative nostalgia, as if recalling the moment is enough.