By Josh Timmerman
Ken Loach’s controversial Palm d’Or winner is a work of supreme ambivalence.
By Cynthia Fuchs
Ken Loach's Cannes Palme d'Or-winning film uses a familiar narrative form, it does so in a way that leaves the form itself in doubt, heroizing no one, offering no resolution.
Ibibio Sound Machine: Uyai
Unearthly Trance: Stalking the Ghost
Porcelain Raft: Microclimate
'Get Out' Is a Fantastic Freak-Out
The Feelies: In Between
Call Super: Fabric 92
Fabiano Do Nascimento: Tempo Dos Mestres
La Nausée in the Spanish Empire: Antonio Di Benedetto's 'Zama'
"Fire Emblem Heroes desperately and shamelessly wants to monetize our love for these characters, yet it has no idea why we came to love them in the first place.