By Josh Timmerman
Ken Loach’s controversial Palm d’Or winner is a work of supreme ambivalence.
By Cynthia Fuchs
Ken Loach's Cannes Palme d'Or-winning film uses a familiar narrative form, it does so in a way that leaves the form itself in doubt, heroizing no one, offering no resolution.
Jamie xx: In Colour
Tori Amos: Little Earthquakes / Under the Pink (reissues)
'Charlie's Country' Remembers and Lives Australia's Tragic Colonial Past
The Best in the Worst Circumstances in 'Old Man Logan #1'
Nobody Won the 'War for the Soul of America'
Simon Spence's Biography of the Happy Mondays Is 'All Excess'
Soak: Before We Forgot How to Dream
Shooting Back: Kamel Daoud's Reply to Albert Camus' 'The Stranger'
"Kiasmos is the exciting, dark and trippy electronic project from Ólafur Arnalds and Janus Rasmussen.