By Josh Timmerman
Ken Loach’s controversial Palm d’Or winner is a work of supreme ambivalence.
By Cynthia Fuchs
Ken Loach's Cannes Palme d'Or-winning film uses a familiar narrative form, it does so in a way that leaves the form itself in doubt, heroizing no one, offering no resolution.
'The Clash on the Clash' Is a Smorgasbord of Contradictions
Coil: Time Machines
Half Memoir / Half Tribute, 'Fetch' Attests to the Power of the Comic Form
Lee Gamble: Mnestic Pressure
Esmerine: Mechanics of Dominion
Family Flavours in Mike Leigh's 'Life is Sweet'
Bell Witch: Mirror Reaper
"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.