Wednesday, October 20 2010
In the early 1990s, The Hollywood Reporter picked up on an emerging ‘trend’ of what it called cinema vert -- films about ‘green issues’. Kurosawa’s Dreams, though not financed by the American studio system, fits well in this cohort, albeit as the most formally distinct example of this miniature film movement.
The three films featured today represented the director's ascendance to greater international acclaim, even while he struggled to find financing in Japan, where the movie industry was shriveling. All three of these films were made either in whole or in part by Soviet, American, or French financing.
Sunday, October 17 2010
As a painter and filmmaker, Kurosawa stuck to his own style, informed heavily by traditional Japanese painting as well as European impressionists and expressionists, another arena of art where he answered to both Eastern and Western influences.
Monday, October 11 2010
Kurosawa's films often act as deliberate examinations of the period in which they took place, exploring not only the difficult realities that existed, but also the personal ordeals of the individuals that had to confront within them.