Monday, March 23 2009
In Part Two of our look at the most memorable films of 1999, we experience music, foul-mouthed mayhem, and a late, great auteur's final cinematic statement.
Wednesday, January 14 2009
There's bad, and then there's 2008 level bad. You know this list is looking down into a deep dark bottomless pit of cinematic despair when Mike Myers' shameful Love Guru didn't even make the Top 20!
Friday, April 18 2008
In 88 Minutes, Gramm's carelessness is increasingly annoying, less a characterization than a function of slack scripting.
Friday, September 1 2006
"Every time I turn my head," sputters Edward, "there's something that doesn't make any sense." Exactly.
Monday, May 16 2005
The labors are colorful on paper, somewhat less than thrilling in execution.
Tuesday, October 5 2004
Mimi Leder's Deep Impact is both less and more than a science fiction-styled disaster melodrama.
Thursday, February 6 2003
Max is less concerned with making Hitler sympathetic, or even very specific, than it is in using him to illustrate a series of ideas.
Sunday, January 1 1995
'The Glass House' can't manage its own metaphors, and ends up tripping all over itself in order to give them a coherent context.