By Matt Mazur
Scorsese films Liza Minelli like a '40s musical screen goddess, and she repays him with one of her most relaxed, assured acting performances.
The Internet: Ego Death (take 2)
'Five Easy Pieces' Must Be Appreciated on Its Own Cantankerous Terms
Sex, Lies, and Uprising in 'A Gay Girl in Damascus: The Amina Profile'
Tim Bowness: Stupid Things That Mean the World
'Lovers At the Chameleon Club' and the Stories We Tell Ourselves
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
"How do you decide who lives and who dies?