Articles tagged mac mccaughan

Mac McCaughan: Non-Believers

Ultimately, Non-Believers is the kind of album that needs no backstory to endear it or Mac McCaughan to the masses.

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21 Aug 2013 // 6:00 AM

Not So Incidental Music: A Dozen Essential Superchunk Songs

Debunking the popular opinion that all Superchunk songs sound the same, PopMatters picks a dozen essential tracks from the Chapel Hill band's catalog that proves there's a lot more variety and craft to it than it's given credit for.

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Superchunk: Foolish (Remastered)

It's a testament to Superchunk's consistency that it's difficult to identify a single landmark album by the group, but 1994's Foolish happens to be the most challenging and best all-around offering of the band's 20-plus year career.

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Our Noise: The Story of Merge Records, the Indie Label That Got Big and Stayed Small by John Cook

Despite some generous editorializing, Our Noise is as engaging (and human) a music industry tale as you're ever going to read.

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“It’s a Gut Feeling About the Music”: An Interview with Mac McCaughan

After founding the influential Merge Records, the inimitable Superchunk, and the prolific solo project known as Portastatic, Mac McCaughan is finally ready to look back at his career, his bands, and those wonderful four-track recordings that he thought he lost 'lo those many years ago.

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5 Mar 2007 // 8:59 PM

Band of the Year: An Interview with Arcade Fire

The artistic license offered by an indie label led to the darker and more ambitious Neon Bible. It brims with arrangements that include a symphony orchestra and a choir recorded in Budapest, Hungary, and a massive church organ. "It felt sometimes like we were making a film rather than a record," Win Butler says.

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Just Making Records: An Interview with Portastatic

Mac McCaughan creates string charts and listens to tropicalia while running Merge Records, and he doesn't mind if you haven't listened to Superchunk.

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//Mixed media
//Blogs

'True Detective': Maybe Tomorrow

// Channel Surfing

"True Detective, Season 2, Episode 3: Where does the kitsch end and the surreal begin?

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