Articles tagged maps, education, pbs, documentary, miniseries

In ‘Tea Time’, 60 Years of Illusions and Pretense Are Pleasantly Lost

Filmed over six years, Maite Alberdi's lovely, profound documentary observes five former Catholic high school classmates' conversations.

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‘The Outrageous Sophie Tucker’ Captures Entertainer’s Star Power

Sophie Tucker parlayed her drive, her personality and her gifts into a huge following.

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I, Machine - Dziga Vertov Is ‘The Man with a Movie Camera’

Flicker Alley's Blu-ray release of five of his films reveals just how crucial the Ukranian-born, avant-garde filmmaker Dziga Vertov has become.

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‘Court’ Is a Wise, Incisive Contemplation of India’s Institutional Mechanics

You see that the system is rigged, not to produce justice or even revenge, but to keep people performing, to keep workers in line.

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Dziga Vertov’s ‘The Man With the Movie Camera’ Remains a Fascinating Documentary

Dziga Vertov believed that the camera could function as an extension of the human eye, and could see and record a truth that the ordinary human eye would miss.

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‘Do I Sound Gay?’ Raises More Questions Than It Answers

While his topic lends itself to a personal frame, filmmaker David Thorpe remains such a tentative presence in his own story that the result is both navel-gazing and non-revealing.

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‘Frontline: Escaping ISIS’ Explores the Terrorist Group’s Genocidal Aims

As Frontline: Escaping ISIS reveals in images that are at once effectively impressionistic and grim, ISIS is embarked on a genocidal, "forced conversion" crusade against the Yazidi.

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‘My Depression: The Up and Down of It’, Sketches a Relationship With Illness

The supermarket bins in this story are stocked with Mystery, Anxiety, and Fresh Doubt, and shelves are lined with boxes of Tired and Go Away or sacks of Malaise.

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‘Red Army’ Raises Thought-provoking Questions About the Price of Greatness

Red Army works as an engaging history lesson and an entertaining sports documentary.

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‘Amy’: She Was All About the Music

As sad as Winehouse's story may be, Amy is gorgeous and provocative, too.

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AFI Docs 2015 + HBO: ‘Requiem for the Dead: American Spring 2014’

As Requiem for the Dead shows, the clues that signal the violence committed by gun-bearing killers found on social media are missed until it's too late.

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Orson Welles Is Still Having the Last Laugh in ‘Magician’

Chuck Workman's Magician presents a vision of a man who made an equitable bargain with his genius and enjoyed a life larger than most of us could imagine.

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Human Rights Watch Film Festival 2015: ‘(T)Error’

As compelling as (T)Error's restless images are, the film never lets you forget what you can't see, what's deliberately hidden, and what's receding from view even as you look.

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AFI Docs 2015: ‘Drone’ Shows How the World Is Becoming a War Zone

Drone raises vital questions not only about how drones shapes the modern military experiences, but also about how drones reshape moral ground.

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British Imports ‘Poldark’ and ‘The Crimson Field’ on PBS

PBS debuts two new drama series for summer, both British imports but each set during different time periods.

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Human Rights Watch Festival and AFI Docs 2015: ‘Of Men and War’

Of Men and War, shot over six years, follows multiple mostly unnamed veterans as they share their rage, fear, and frustration.

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Human Rights Watch Festival 2015: ‘This is My Land’ Documents Education in Palestine and Israel

In observing these many experiences of education in Palestine and Israel, This Is My Land doesn't connect them, or even offer explanations so much as it presents them for your contemplation.

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Human Rights Watch Film Festival 2015: ‘Cartel Land’ and the Never-Ending Story of the Drug War

Cartel Land reveals the false opposition between good and evil in the drug wars.

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‘Heaven Knows What’ Blurs the Boundaries Between Documentary and Fiction

Heaven Knows What brings fiction and experience together, raising provocative questions about how you believe one and the other.

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‘The Decent One’ Takes on the Task of Humanizing Himmler

Using Heinrich Himmler's personal letters and journals, The Decent One presents an intimate family portrait of the architect of the Holocaust.

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//Mixed media
//Blogs

'Five Came Back' Is an Unusual and Seminal Suspenser

// Short Ends and Leader

"This film feels like a template for subsequent multi-character airplane-disaster and crash projects, all the way down to Lost.

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