Articles tagged michael jackson, thriller, music, music videos, geeks, horror, zombies, shaun of the dead, scream

Streep Is Pitch-Perfect, But The Tune of ‘Florence Foster Jenkins’ Falters

Frears transforms this one-note comedy into a nuanced look at social and emotional issues.

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Mr. Robot: Season 2, Episode 5 - “logic-b0mb.hc”

Elliot finally gets back in the game, and it couldn't have come soon enough.

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BrainDead: Season 1, Episode 7 - “The Power of Euphemism ...”

For an up-and-down debut season, BrainDead stumbles yet again as the story's direction stalls.

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Stranger Things: Season 1, Episode 2 - “The Weirdo on Maple Street”

Stranger Things continues to offer escapism and cultural touchstones to a bygone era for the audience to decode.

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‘Into the Maelstrom’ Provides a Fascinating View of 20th Century Underground Movements

Free music performer and writer David Toop spends much of his latest effort exploring the philosophical and artistic movements from which pre-1970 performers drew inspiration.

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Moving Beyond the Dream Theory: A New Approach to ‘Mulholland Drive’

With doubles, strange coincidences and nightmarish elements, David Lynch shows us the reality of Hollywood living.

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In ‘The Childhood of a Leader’, Old Europe Rises on the Shoulders of a Psychopath

Brady Corbet’s disturbing psycho-historical melodrama is like the Stanley Kubrick edit of The Grand Budapest Hotel.

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BrainDead: Season 1, Episode 6 - “Notes Toward a Post-Reagan Theory…”

BrainDead bounces back with a lot of dancing, a lot of booze, and a ton of fun.

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Mr. Robot: Season 2, Episode 4 - “eps2.2_init1.asec”

Many of Mr. Robot's characters remain in a stalemate in an episode meant mostly to set up future battles.

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‘Lee Scratch Perry’s Vision of Paradise’ Doesn’t Find the Transcendence Within Perry

In its attempt to worship, Vision of Paradise condescends and exploits.

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‘In the Shadow of Frankenstein’ Will Haunt Your Dreams

In the Shadow of Frankenstein provides a first-rate example of how the creature's heart continues to pump life into the horror genre.

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BrainDead: Season 1, Episode 5 - “Back to Work…”

BrainDead's response to switching days and losing ratings? The weakest episode yet.

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Roadies: Season 1, Episode 5 - “Friends and Family”

In an up-close and personal episode, the gang’s in Denver for a hometown double bill, and everyone's got an itch that needs scratching when it comes to family.

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Miles Davis’s Corporeal Score to Louis Malle’s ‘Elevator to the Gallows’

Davis's score doesn't articulate a narrative in this film; it provides a haunting, corporeal presence that refuses to assimilate to our efforts to find meaning.

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‘Jason Bourne’: The Bourne Repetition

Here again, the cuts in fight scenes are thrilling but maybe indecipherable, making irrelevant any logic of time and space, in favor of a viewing experience you might call meta-visceral.

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Stranger Things: Season 1, Episode 1 - “The Vanishing of Will Byers”

Stranger Things captures fear and the '80s so brilliantly, you'd think Netflix injected it with some mad scientist-created serum to ensure maximum binge-worthiness.

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Mollner’s ‘Outlaws and Angels’ Trying Western Isn’t for the Weak of Heart

Mollner lays out this harsh story and rubs our faces in it. It's raw and hurtful and the sting remains even after the last frame has faded from our retinas.

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The Summer of De Palma: Looking Back at a Master Filmmaker’s Career

Following the release of Noah Baumbach and Jake Paltrow's document on the eponymous director, the legacy of Brian de Palma's extensive and controversial filmography is given renewed attention.

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‘Fright Night’ Revisited: The Dubious Pleasures of the Vampiric Remake

The original Fright Night is a cult classic of the '80s horror genre; the remake features a classic Anton Yelchin performance.

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Mr. Robot: Season 2, Episode 3 - “eps2.1_k3rnel-pan1c.ksd”

Elliot continues to battle with Mr. Robot, while the rest of FSociety face growing threats from all sides.

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//Mixed media
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That Ribbon of Highway: Sharon Jones Re-shapes Woody Guthrie's Song

// Sound Affects

"Sharon Jones and Woodie Guthrie knew: great songs belong to everybody.

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