Articles tagged michael jackson, thriller, music, music videos, geeks, horror, zombies, shaun of the dead, scream

‘mother!’ Is Poignant and Powerful, and Not At All Pleasant

This is a grotesque, two-horned beast of a marital drama, a nightmarish vision of emotional abandonment and psychological abuse, all for the sake of art.

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Aronofsky’s ‘mother!’ of All Head Trips

Bold, pretentious, and divisive, Darren Aronofsky’s psychological thriller is an exhilarating (and exhausting) cinematic experience.

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14 Sep 2017 // 10:00 AM

TIFF 2017: mother!

While Aronofsky’s artistry is at an all-time-low, it's his misogyny that makes this film abhorrent.

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Lose Yourself: Dir. Benjamin Barfoot and Writer Danny Morgan on Comedy-Horror Flick, ‘Double Date’

"...[My] theory is people do their best stuff when they lose themselves. So I hold on really tight and then let go because that’s when an interesting chemistry starts to happen."

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‘All Eyez On Me’ Suffers From Near-sighted Hero-worship

This long-awaited biopic focuses too much on the minutiae and too little on Tupac Shakur's riveting life.

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8 Sep 2017 // 8:30 AM

The Flipside #6: Spectre

Spectre attempts to unify classic Bond camp with the grittiness of the Daniel Craig 007 films. Can anything be salvaged from the resulting mess?

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Stephen King Adaptation ‘It’ Hurts

Director Andy Muschietti’s adaptation of Stephen King’s horror classic is a hodgepodge of tones and genres that begs the question, “Who is the audience for this movie?”

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Ever Wish You Could Go into a Parallel World? Todd Tucker on ‘The Terror of Hallow’s Eve’

For those who have been bullied, revenge fantasy The Terror of Hallow's Eve may prove cathartic.

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Do We Have to Explain Everything? Director Patricio Valladares on ‘Nightworld’

"...with my previous movie Downhill, that screened at FrightFest in 2016, a lot of people were bothered by the fact that I left things in the plot without explaining them."

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‘Blade II’ Pioneers the Marvel Sequel Yet Remains Hopelessly Outdated

If Blade reflected its time in 1998, Blade II, despite of-the-moment visual effects dazzling action, feels like a film from an earlier era.

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Gremlins and the Housewife in ‘Don’t Be Afraid of the Dark’

The house itself wants to pull the neurotic woman into its maw and absorb her whole as a literal housewife.

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‘The Prowler’ Reveals the Horror of Getting What You Want

He carries the seeds of his own desperate, grasping, clammy doom...

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Jason Molina’s Mythological Palette, Warts and All

Osmon lights the oil lamps on the process of Molina’s creative wonder, from toddling on the shores of Lake Erie to the indie folk pedestal he so deservedly sits upon today.

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‘Annabelle: Creation’ Assaults the Senses From All Angles

David F. Sandberg takes a straightforward approach to horror in this atmospheric, immersive, The Conjuring spinoff.

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Through the Fog of TV Amnesia: Remembering The Briefly Lived ‘Coronet Blue’

Coronet Blue seems to be TV's earliest incarnation of the amnesiac hero, and moreover the amnesiac spy.

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Lost Chords, Major Chords, Minor Chords, Dissonant Counter-melodies: ‘Dreaming the Beatles’

This biography of the Beatles illustrates how their personality dynamics served as both a necessary elixir and an addictive poison in the creation of their music.

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‘Detour’ Director Christopher Smith Says He Hasn’t Even Started Making Horror Movies, Yet

"I think horror has become utterly boring... (E)verybody has got to pull their socks up a bit and start to dig a bit deeper," says Smith.

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‘Straw Dogs’ Searches for Human Nature but Finds Only Misogyny

The iconic value of Sam Peckinpah's filmic capture of human depravity doesn't outweigh its tired nihilism and especially its misogyny.

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Hanging Onto the Thin Skin of Space: Why ‘Dark Matter’ Matters

Dark Matter eschews the clichés of lazy sci-fi, so why isn't it more popular?

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What Is Real in the YouTube World of ‘Presenting Princess Shaw’?

Presenting Princess Shaw simultaneously exposes and obscures the process of documentary-making.

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TIFF 2017: 'The Shape of Water'

// Notes from the Road

"The Shape of Water comes off as uninformed political correctness, which is more detrimental to its cause than it is progressive.

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