Sunday, January 1 1995
Considers the possible effects of transposing a 'natural' justice system onto human conflict.
One of Ingmar Bergman's best films and certainly one of the best ever made on the subject of aging.
Occasionally, a movie comes along that attempts to remember the '60s as a time like all others, with competing ideologies, and both good and bad effects.
Though some viewers might not compare producer-director Keith Gordon to John Huston as adaptors of literature to film, Gordon makes films which are regularly praised for their 'faithful' transfer of literary texts.
I can't help it; whenever I hear that opening theme music to a James Bond film, I get a tingle. I can't help but to hope for the best. This time out, my hopes were raised by a great opening sequence to The World Is Not Enough, which involves a thrilling highspeed boat chase. What's more, TWINE gives us the premise for a most excellent villain.
While Whipped's general organization -- three guys competing for one woman, all knowing about one another, all showing up at her apartment at the same time -- is pretty much directly ripped off from Spike Lee's groundbreaking She's Gotta Have It, here the focus is not on the she, but the three he's.