Articles tagged not becoming my mother

On Denaturing Racial Elements in Two ‘50s-era Films

Two fascinating bits of Americana, Black Gold and Face of Fire, are defined by racial themes, yet tackle the subject quite differently.

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The Viewers Are the Only Ones in Pain in ‘Fifty Shades of Grey’

Christian Grey refers to his playroom as "the Red Room of Pain". If he really wanted to inflict torture on people, he'd show them Fifty Shades of Grey.

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Cannes 2015: ‘Love’ and ‘Youth’ Amp Up the Sex at the Festival

Both Gaspar Noé's Love and Paulo Sorrentino's Youth explore sexual desire, but they take very different approaches.

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Hozier + Death Cab for Cutie + Rock Radio 104.5’s Birthday Show (Photo Gallery)

Radio 104.5's birthday show featured great bands and might have been the unofficial start of summer festival season in the Northeast.

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The Ghosts of ‘Poltergeist’ Can’t Spook Technology

There's lots of tech on display in this remake of 1982's Poltergeist, but the script sure doesn't know how to grapple with it.

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Starbenders - “Diet Soda” (audio) (Premiere)

The B-side to Starbenders' "Powder" 7-inch, "Diet Soda", is an example of the Atlanta band's take on punk.

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22 May 2015 // 11:42 AM

NBC’s ‘Aquarius’ Takes on 1960s Los Angeles

David Duchovny trades tracking aliens for chasing mass murders as a Los Angeles detective trying to do his job in a world of free love, long hair, cheap drugs, police brutality, rising crime, protests, Black Power and the Vietnam War.

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Gringo Star - “Undone” (audio) (Premiere)

Whistles and whimsy make up the newest tune by Atlanta's own Gringo Star, "Undone".

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Cannes 2015: ‘Dheepan’ and ‘The Lobster’ Depict Different Kinds of War

Two movies screening in competition at Cannes, Dheepan and The Lobster, consider very different sorts of war, between hardcore gangs and between life aspirations.

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Cannes 2015: Laszlo Nemes’ Distinctly Visceral Take on the Holocaust Gets Audiences Talking

Son of Saul, a movie from Hungarian filmmaker Laszlo Nemes, has become the consensus Cannes breakout.

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Cannes 2015: Women Resist Their Masters in ‘Sicario’ and ‘The Assassin’

Both Sicario and The Assassin tell the stories of women embroiled in conflict: in the former, the drug war; in the latter, the courts of ninth-century China.

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LCMDF - “Fooled (5/5 Remix)” (video) (US Premiere)

Taylor Swift-esque pop meets PC Music on the latest remix of the Finnish sister duo LCMDF, "Fooled".

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Toshi Ichiyanagi Is One of Today’s Most Imaginative Composers of Traditional Works

This reserved and youthful-looking dean of Japanese music has become one of today’s most imaginative and compelling composers of traditional works.

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JOBS - “Patient Angel” (video) (Premiere)

If the Dillinger Escape Plan played brainy art rock, they'd sound something like the Brooklyn-based group JOBS.

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‘Tomorrowland’ Is a Future That’s Past

In loving a future that used to be "better", Tomorrowland is predictably incoherent. It wants an old future, one that's long gone.

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Counterbalance: Pink Floyd’s ‘Wish You Were Here’

Come in here, dear boy, have a cigar. You're gonna go far, just like the 207th most acclaimed album of all time, Pink Floyd's Wish You Were Here.

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Cannes 2015: ‘Mediterranea’ Explores African Migration to Italy

Evoking De Sica, Denis, and the Dardennes, Jonas Carpignano’s film Mediterranea is a humane and visceral portrait of African migration to Italy.

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A Job for Superman: On Multiversity, Convergence and These Precious Mortal Hours

The Multiversity: Ultra Comics #1 begins with a return to the beginning of the superhero genre, but not the real beginning.

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22 May 2015 // 8:10 AM

Why It’s Time to Stop Hating Spotify

An independent artist opens up about how much he’s earned from Spotify, what it means to his band, and why listeners should feel good about the shift to streaming consumption.

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Be Prepared to be Unprepared

Bloodborne wants to catch us off guard, even as it teaches us to always be on guard.

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Kiasmos: 26 May 2015 - Rough Trade NYC (Photos)

// Notes from the Road

"Kiasmos is the exciting, dark and trippy electronic project from Ólafur Arnalds and Janus Rasmussen.

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