Sunday, January 1 1995
'Someone Like You''s press kit describes Eddie and Jane as a 'Hepburn and Tracy of the modern era', but its undercurrent of painful loss and compulsive grief avoidance is precisely missing from movies like 'Desk Set' and 'Adam's Rib'.
As much as it's being touted as a Welsh Romeo and Juliet, Solomon & Gaenor never quite reaches the level of urgency.
Ride with the Devil is essentially two films in one. The first is a story of loyalty - to family, community, and nation - tested in the social and political upheavals of civil war. The second is a story of male bonding and love in a homosocial order, the negotiation of male-male desire, and male domestication, all triangulated and enabled through the body of a woman.
In 'Riding in Cars', Barrymore plays to her strengths -- her ability to seem at once disarmingly open, as well as poised, ironic, and above all, delighted to be living her life.
A car drives through a bridge and dark city streets, passing the freeway sign 'East Bay Bridge, Oakland' on the way. A blasting hip-hop soundtrack accompanies opening film credits in overlapping English and Chinese characters.
Andrzej Bartkowiak's current film Romeo Must Die, which features the incredible martial arts skills of Jet Li, left me a little depressed.