Sunday, January 1 1995
The book combines tweedy rant with engaging memoir to reveal a refreshingly cynical, cloyingly elitist, and analytically Marxist point of view.
Huston is revealed as a seamless whole, tough guy and gentleman of culture, one of the last of the Renaissance Men.
Explains how humor is manufactured, packaged, and delivered to the masses.
Reading this book, it is easy to imagine a world where good writing sells, where the notion of story reigns supreme, and where the artful gesture is appreciated, even coveted.
...calls upon writers all over the world born between the years 1960 and 1982 to express the thoughts, hopes, fears, and concerns of 'Generation X', now that they're old enough to qualify for nostalgia.
This book, like a jewel made more interesting by flaws, is unique because we see authors genuinely struggling with the material to make it work. It is vital and alive.
Each story winds up with some kind of larger-picture statement about lesbian life, yet it falls short because you just can't sum up something universal about lesbian life in a two-page quip.
Dyson illuminates the complexities of King’s identity and challenges the boundaries in which King and his legacy have been forced to inhabit because of desires on the part of the King family, traditional Civil Rights leaders, and the mass media to neuter (pun, absolutely intended) his persona and his politics.
I do not knock the importance of counseling for people with serious problems... [but] only a culture like ours can develop on-line therapeutic support systems and then diagnose Internet Addiction Disorder.
Wild women, alcoholics, sluts, masochists, the lustful and the ravaged populate these stories with a vengeance -- not necessarily a political one, but a human one that demands that these realities be exposed and explored.