Sunday, January 1 1995
... is rich with shimmering moments of truth, flashes of brilliant insight, a wealth of fascinating personal experiences, and plenty of food for thought. The reader is drawn out of his or her own 'box' and into an intriguing, unfamiliar, and often exotic world. My honest reaction after finishing the book was to wish I could email all these interesting, lively women so we could keep the discussion going.
Nick Tosches's elegantly written and emotionally satisfying case for [elusive singer Emmett Miller] makes one think of American music in an altogether different manner. Tosches convinces us that hearing Miller and the expansiveness of his yodel redraws the landscape of our cultural environment.
David Hofstede presents wrestling from its early days of genuine competition to its current offerings of circus-like performances, but throughout the book he shows a deep respect for the sport.
'What the Fuck' is too concerned with being artsy and obscure to truly be what it envisions itself as: the Johnny Depp film of literary porn.
People appear who may not be people, things happen that might not have really happened, and the answers provided may be merely lies. McCabe does not know if the tricks before his eyes originate from the heavens, outer space, drugs, or future technology, but for the reader these tricks make the fictional small town of Crane's View, New York continually interesting.
It was the 'rules and regulations' of punk aesthetic, sound, and lifestyle that limited its potential and undermined its intention to be a culture more enlightened then the powdered and corporate-sponsored products.
It's designed to make you think about what you laugh at.
...a gritty tale rendered with tough, spare prose that fits the story like a flak jacket.
Not only does it paint a startling but credible image of the misogyny of well-respected practitioners like Man Ray and Marcel Duchamp, it focuses on women Dadaists, who blow all misconceptions out of the proverbial water.