By Joe Copplestone
Nothing But the Beat, despite its occasional glimmer of creativity, is in many ways a showcase of everything that is bad about pop music in 2011: derivative, novelty, shallow, rushed and thoroughly uninteresting.
Coulda Been Country: The Allman Brothers Dickey Betts' Great Southern Songs
Feminist Classic 'Antonia's Line' Is Still Rewarding, Still Relevant
Elizabeth Cook: Exodus of Venus
Yearning for Re-enchantment With the World in Jessa Crispin's 'The Dead Ladies Project'
The Invisible: Patience
Sticking It to the Man with 'SteamWorld Heist'
'Worlds Elsewhere' Makes Clear: Shakespeare Is What We Make of Him
""Doom" is no longer a generic video game title. It's a name, a job description, and a promise.