By Josh Timmerman
Ken Loach’s controversial Palm d’Or winner is a work of supreme ambivalence.
By Cynthia Fuchs
Ken Loach's Cannes Palme d'Or-winning film uses a familiar narrative form, it does so in a way that leaves the form itself in doubt, heroizing no one, offering no resolution.
On Friedrich Nietzsche's Early Intellectual, Emotional, and Spiritual Development
The Frightnrs: Nothing More to Say
'Planetes' Should Be Required Baggage on the First Mission to Mars
Negură Bunget: ZI
Neil Gaiman Takes on a Different Perspective
Randy Newman: The Randy Newman Songbook
Less Story, More Play: All Aboard for Planet Marlys!
"After a four year break since her last album, Rachael Yamagata reveals a love of spreadsheets, a love for Streisand, and why it's totally OK to suck at playing guitar.