By Chris Barsanti
Just when you start worrying about the state of American movies, and wondering whether the business is going to swandive into irrelevance, along comes something as vital and jolting as Frozen River.
The Internet: Ego Death (take 2)
'Five Easy Pieces' Must Be Appreciated on Its Own Cantankerous Terms
Sex, Lies, and Uprising in 'A Gay Girl in Damascus: The Amina Profile'
Tim Bowness: Stupid Things That Mean the World
'Lovers At the Chameleon Club' and the Stories We Tell Ourselves
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
"How do you decide who lives and who dies?