Articles tagged richard roundtree

The New Classics - The 30 Best Films of 2008

Unlike previous years, where classics came crawling out of the celluloid woodwork with regular reckless abandon, 2008 was more calm… and considered. That's not to say that choosing 30 top titles was hard. The difficulty in placing them in some manner of rank order suggests the actual depth of quality involved.

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9 May 2008 // 4:01 AM

Speed Racer

Inspired by the mostly beloved late '60s Japanese cartoon, Speed Racer is loud, large, and proudly crass.

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The Return of the Popcorn Circus: May 2008

In the first act of this four-part production, Tinsel Town decides to do some unbelievable front loading. Will there be room for independent offerings, or former HBO carnal comedy divas? Who knows? Without a doubt, it's an interesting way to start the season.

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The Pay Off: The Best Film of 2006

For many of the movies on PopMatters' 2006 list of the year's best films, it is clear that a heavy personal and professional stake was riding on the final product.

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14 Aug 2006 // 12:00 AM

Brick (2005)

"When you are a teenager," says Rian Johnson, "When you are in that world, you don't have that [adult] perspective. And in a subjective way, [high school is] the most serious time in your life."

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7 Apr 2006 // 12:00 AM

Brick (2005)

Brendan, with the glasses, makes it his business to see what's going on, being the usual noir guy who walks mean streets.

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1 Jan 1995 // 1:03 AM

Corky Romano (2001)

'Corky Romano' is a limp, set 'em up and knock 'em down barrage of hijinx and horseshit that proves definitively that Chris Kattan's shtick is barely big enough to carry a 90-second trailer, let alone a 90-minute movie.

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1 Jan 1995 // 1:03 AM

Antitrust (2000)

There’s something suspicious about a movie that might uses slogans as dialogue. This one lays out its competing democratic and capitalistic ideals by such

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//Mixed media
//Blogs

Truth and Other Restrictions: 'True Detective' - Episode 7 - "Black Maps and Motel Rooms"

// Channel Surfing

"Series creator Nic Pizzolatto constructs the entire season on a simple exchange: death seems to be the metaphysical wage of knowledge.

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