Articles tagged romance, drama, disease, medicine, dramedy, romantic comedy,

It’s Good to Be Afraid of Pablo in ‘Escobar: Paradise Lost’

Benicio del Toro is perfect as the infamous drug lord. He looms in frames even when he's off to the side, pressed into a lower corner or out of focus.

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‘Broadchurch’ Retains Its Suspense and Offers Another Excellent Season

Broadchurch not only continues to draw in and engage viewers, it also finds a way to add even more interest in its second season, making for a wholly satisfying series.

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‘Max’ Abides by the “More Is More” Mantra

In Max, more is more: more emotional crises, more stereotypes, more action are all spun as if by a centrifuge of formula then spewed onto a big summer screen.

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Romance and Science Conflict in ‘The Memory Painter’

A very cool sci-fi concept anchors The Memory Painter, but unremarkable prose and tonal inconsistency mar what is otherwise an interesting tale.

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‘Winter Sleep’ Is a Cinematic Essay on Emotional Collapse

Filmmaker Nuri Bilge Ceylan captures the haunted air of a quiet Turkish village in his Palme d'Or winning film.

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Could ‘Heroes Reborn’ Be the Stealth Reboot the Series Always Needed?

Heroes: Reborn looks like what the original Heroes could have been in an alternate, better universe.

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With His Latest Film, Cameron Crowe says ‘Aloha’ to His Past and to Success

This is like watching the parts of a movie wait for a reason to exist. We don't care if the players find passion or just sit around, eating poi.

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‘Still Alice’ Tells the Story of Alzheimer’s From the Patient’s Perspective

Still Alice is a perceptive film about the tragic ways illness impacts identity, and Julianne Moore is the sole reason for its success.

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Ewan McGregor Is Both Jesus and the Devil in ‘Last Days in the Desert’

In one of his most complex roles to date, Ewan McGregor takes on the role of both Jesus and the Devil in Last Days in the Desert, a film by Rodrigo García.

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J.K. Rowling’s ‘The Casual Vacancy’ Charts the Perils of Adaption

In bringing J.K. Rowling's first post-Potter novel to TV, Sarah Phelps sands away the sharp corners and personal complications that made the book so memorable.

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‘Mr. Turner’ Is a Film as a Canvas

Mr. Turner, the biopic of the famous painter J.M.W. Turner, speaks to the inherent difficulties of navigating the art world.

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‘Nirbhaya’ Bellows For Women’s Rights

Using the horrific crimes against Jyoti Singh Pandey as a jumping-off point, Nirbhaya is an outstanding call for further cultural awakening on women's rights.

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‘Orange Is the New Black’ Comes Back for a Third Season on Netflix This June

Netflix's highly successful comedy/drama series documenting the lives of women inmates will kick off the summer TV season on a wave of anticipation.

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Arnold Schwarzenegger Deals With a New Kind of Zombie in ‘Maggie’

Maggie's excavation of the process of becoming a zombie is emotionally complicated and, for that, remarkable.

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HBO Teases the Second Season of ‘True Detective’

HBO's got big shoes to fill following the successful first season of True Detective. Based on its first teaser, the show continues to have promise.

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Kristen Wiig Becomes a New Oprah in ‘Welcome to Me’

Welcome to Me is hard to watch, but even more difficult to ignore.

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‘Ripper Street’ Returns to BBC America for an Unexpected Third Season

“Ripper Street,” the richly drawn, historical police drama set in 1894 Victorian London, returns on April 29 to BBC America with eight new episodes. Set among the

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28 Apr 2015 // 9:00 AM

Double Take: One Flew Over the Cuckoo’s Nest (1975)

Look at the faces on you, ya ding-a-lings! Double Take flies over the Cuckoo's Nest this week. Medication time, everyone.

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Harrison Ford Reminds You Why You Like Movies in ‘The Age of Adaline’

Harrison Ford's performance in this film about a woman who doesn't age foregrounds the consideration of time and desire, how each shapes the other, and how both affect imaginative horizons.

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Russell Crowe’s War Drama ‘The Water Diviner’ Is Awards Season Sap

Instead of a potent post-war drama, first time director Russell Crowe gives us a jumbled, often incoherent attempt at an epic.

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