By Lesley M. Smith
'Tigerland' turns that same step of acknowledging a responsibility greater than oneself into a personal defeat, the inevitable breaking of a rebel.
Shooting Back: Kamel Daoud's Reply to Albert Camus' 'The Stranger'
Graham Parker and the Rumour: Mystery Glue
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
"White Night is annoying largely due to its own beautiful and haunting art.