By Cynthia Fuchs
I’d say it’s official: Amanda Peet is the reigning go-to-girl for neo-romantic comedies involving nasty jokes about death, sex, and what might be
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
Cannes 2015: 'Dheepan' and 'The Lobster' Depict Different Kinds of War
Cannes 2015: Women Resist Their Masters in 'Sicario' and 'The Assassin'
"In an age where writers regularly churn out "content" at dizzying speeds, truly great music makes a writer slow down and take time to reflect.