By Cynthia Fuchs
Exploring the LA art scene of the 1950s and '60s, The Cool School appreciates the love of surface -- the self-performance and artifice, the illusory forward motion and devotion to consumption -- that defines the city.
Mathew Lee Cothran: Judas Hung Himself in America
Daniel Brandt: Eternal Something
Identity Is a Provocative Spectre Throughout Noel Malcolm's 'Agents of Empire'
Red Baraat: Bhangra Pirates
'A Little History of Economics' Provides a Charming Overview of the Dismal Science
"The Chamber is the filmic equivalent of a fairground ride, the stimulation of emotion over ideas.