Friday, October 29 2004
Repeatedly, Ray collapses lore and desire into metaphorical, emotional, and narrative economy, occasioned by a groundbreaking song.
Sunday, January 1 1995
Alice is quite visibly 'alone,' differentiated by her race and class from the folks who populate the streets, marketplaces, and televised protests against the oil company. And indeed, Alice's bond with Terry begins with the fact that he's Anglo, and she feels she can 'trust' him.
The camera pans across the protest scene focusing briefly on a placard in Spanish but conveniently translated to English in subtitle: 'Shoot the Imperialist Bastards.' This sudden interjection is startling, set against a backdrop of relative fluff.