By Timothy Gabriele
In my review of Max Richter’s 24 Postcards in Full Colour, I choked a bit trying to connect the dots between Richter and the texturalists,
How It Slips Away: 'The Breaking Point' Crosses Hemingway With Noir
Dent May: Across the Multiverse
The War on Drugs: A Deeper Understanding
Chantal Akerman’s 'Jeanne Dielman' in Many Ways Strikes One As a Vermeer Painting Come to Life
Consumption, Performance, and 'The Agony of Eros'
Gogol Bordello: Seekers and Finders
Ray Wylie Hubbard: Tell the Devil I'm Gettin' There as Fast as I Can
Pyrrhon: What Passes for Survival
"Whether we've seen or read the story before, we ache for these sympathetic, floundering people presented to us gravely and without cynicism, even when cynical themselves.