Articles tagged the lovely bones, peter jackson, mark wahlberg, saoirse ronan, susan sarandon, rachel weisz

‘The Light Between Oceans’ Is Dimmed by Predictable Melodrama

Cianfrance’s adaptation of the popular novel is an agonizing and deathly cold slog in shallow waters.

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‘Complete Unknown’ Deals in Ambiguity and Subtle Charms

Joshua Marston's thoughtful indie drama is delicate, ambiguous, and sublimely frustrating.

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13 May 2016 // 12:06 PM

‘Lobster’ Is a Rich, Surreal Take on Love

The Lobster is very much its own brand of horror movie as well as a deranged thought experiment and a witty dismantling of the usual barriers separating man from beast.

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The Third Time, ‘The Hobbit: The Battle of the Five Armies’ Is Not the Charm

The extended edition of the third Hobbit film is just as bloated as the second one, but the bonus features are a must-have if you're a fan of the film.

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‘The Secret Life of Marilyn Monroe’ Is Not as Salacious as It Sounds

Given the choice of the numerous film depictions of Monroe's life, this is the one to watch.

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‘Ted 2’ Is Smarter and Smuttier Than Your Average Bear

Ted 2 is uproariously funny, with just enough sprinkling of social satire to stretch this already thin premise into a satisfying sequel.

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Mark Wahlberg’s Performance Comes Up Snake Eyes in the Remake of ‘The Gambler’

Mark Wahlberg's performance in this thrice-removed Dostoyevsky adaptation is all surface moves, dance steps without the music.

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Manning Up in ‘Pain & Gain’

The kidnappers are caught up in a mutual druggy, aspirational haze: when any one of them feels apprehensive, the nearest buddy encourages him to "get a pump", as they lose themselves in frenzy of bicep-curling and self-distraction.

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The Beauty and the Horror: Peter Jackson’s King Kong - Part 2

Jackson's film is as unwieldy and difficult as it is gripping and moving, expanding upon the exotic spectacle of the original while simultaneously steering the tale into the realm of tragic lament.

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The Beauty and the Horror: Peter Jackson’s King Kong - Part 1

This film is keenly aware of the myriad meanings embedded in its cinematic myth and sets about re-contextualizing and commenting upon the implied politics while offering extravagant thrills and tragic, classic romance.

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Money, Sex, and Power: Contemporary Adaptations in John Guillermin’s King Kong

The 1976 King Kong updates this modern myth’s meanings for a vastly different social, economic, and cultural milieu, but it does so with a leaden obviousness that undermines its conclusions.

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From Spectacle to Elegy: The Cinematic Myth of King Kong

Like many of the Hollywood blockbusters that followed in its footsteps, King Kong was a barometer for its troubled times, a clear crystallization of many lurking social anxieties in Depression-era America.

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‘Entourage: The Complete Seventh Season’: What the Eagles Warned You About

The players of Entourage wield words like weapons, their acidic bon mots the equivalent of machine gun fire.

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Great Entrance, Unca Scrooge: Warren Spector Finds Richness in DuckTales

It's not so much that Warren Spector, the visionary behind Epic Mickey and the legendary Deus Ex, conforms to the genius of DuckTales' generic conventions--it's that he evolves them.

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Really, ‘Who Do You Think You Are?’

What was something of a self-indulgent escapade in the UK version takes on far more resonance and dramatic and cultural relevance in the US version.

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4 Jan 2010 // 3:52 AM

Stanley Tucci: ‘I never wanted to play a serial killer’

You loved Stanley Tucci opposite Meryl Streep in “The Devil Wears Prada” and “Julie & Julia.” You loved him in his Emmy-winning guest appearance on “

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Little Women: Brilliant Book, Flawed Film

A scene shows Ryder blissfully tying up the manuscript and putting a rose under the string. That's rather like what Armstrong and the screenwriters did to the film: tied it up neatly with a pretty flower.

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Agora Director: Alejandro Amenábar Cast: Rachel Weisz, Max Minghella, Oscar Isaac Releasing: 18 December 2009 Set in Roman Egypt, Agora concerns a slave who turns to

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15 May 2009 // 5:27 AM

The Brothers Bloom

Overrated as truth may be, in The Brothers Bloom, Penelope (Rachel Weisz) is supposed to signify it.

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Part 3: The Sixth Sense to  Fight Club (August - October 1999)

Films that have left a lasting impression on their creators (M. Night Shyamalan, Sam Mendes, David Fincher) make up the majority of Part Three of our Films of 1999 overview.

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//Mixed media

Indie Horror Month 2016: Executing 'The Deed'

// Moving Pixels

"It's just so easy to kill someone in a video game that it's surprising when a game makes murder difficult.

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