By Andrew Blackie
Put aside your cynicism for indie rock: The Forms' sophomore album is required listening.
By Kevin Jagernauth
I’m just going to cut right to the chase—the Forms, with their stunning debut effort, Icarus, are one of the most exciting, if
Shooting Back: Kamel Daoud's Reply to Albert Camus' 'The Stranger'
Graham Parker and the Rumour: Mystery Glue
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
"Get a drink, have a good time now. Welcome to paradise, and read all about the 305th most acclaimed album of all time. An Australian plunderphonics pioneer is this week’s Counterbalance.