By Cynthia Fuchs
It is Di's (Zang Ziyi) own absolute faith in herself, her determination to endure despite all political or social edicts, that grants 'The Road Home' unusual, and unusually moving, weight.
Graham Parker and the Rumour: Mystery Glue
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
Cannes 2015: 'Dheepan' and 'The Lobster' Depict Different Kinds of War
"The charisma of Giuliano Gemma and some stellar action sequences can't save this sub-par spaghetti western.