By Erika Nanes
Convinced as I was by Marcus' readings, I couldn't help noticing that the primary subjects of all four chapters were works produced by white men: Philip Roth, David Lynch, Bill Pullmanm and David Thomas.
'The Clash on the Clash' Is a Smorgasbord of Contradictions
Coil: Time Machines
Half Memoir / Half Tribute, 'Fetch' Attests to the Power of the Comic Form
Lee Gamble: Mnestic Pressure
Esmerine: Mechanics of Dominion
Family Flavours in Mike Leigh's 'Life is Sweet'
Bell Witch: Mirror Reaper
"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.