Articles tagged todd rundgren, robert johnson, blues, music, rock

Picture Atlantic - “Billy Banker” (audio) (premiere)

"Billy Banker" is a loud cry against sucking out artistic vision and extracting pure profit, and its frenetic instrumental banking gives that cry nice heft.

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Roadies: Season 1, Episode 7 - “Carpet Season”

The episode starts with a literal car crash that tries to convey all order will dissolve into chaos; despite a lot of complementary illustrations, the show continues to waffle about its true point.

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17 Aug 2016 // 2:05 AM

Eagulls: Ullages

Indie quintet follows up surprise success of debut album with the ambitious Ullages, but still struggle to find much to be positive about.

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Josh White: Josh at Midnight

One of music's most influential black voices shines just as well as it did 60 years prior.

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‘George Crumb: Voice of the Whale’—A Whale of a Tale It’s Not

If George Crumb’s music sometimes skirts the borders of kitsch, it certainly doesn’t need the help of this insipid film.

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Roadies: Season 1, Episode 6 - “Longest Days”

Main girl Kelly Ann tries to win us over by despising a common statement; instead, she just repeats herself ad nauseam in the mid-season slump.

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Phil Collins: No Jacket Required / ...But Seriously / Testify / Going Back

Featuring No Jacket Required, ...But Seriously, Testify, and Going Back, this set doesn't hold up nearly as strongly as one would expect (yes, even counting Jacket).

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Starover Blue - ‘Spacegeist’ (album stream) (premiere)

Beat the summer heat by putting on this album — the temperature’s guaranteed to drop ten degrees while it’s pulsing from your speakers.

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Josh Farrow - “Who’s Gonna Love You When I’m Gone” (audio) (premiere)

“Who’s Gonna Love You When I’m Gone” carries itself with an aura of impermeable coolness, suave organ and killer bassline as smooth as silk.

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Streep Is Pitch-Perfect, But The Tune of ‘Florence Foster Jenkins’ Falters

Frears transforms this one-note comedy into a nuanced look at social and emotional issues.

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Faith No More: We Care a Lot (Deluxe Band Edition)

Can a classic recording be imperfect? Can a work of art's reputation be bigger, better than the work itself? The newly-reissued Faith No More debut suggests that the answer is maybe.

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Van Morrison: It’s Too Late to Stop Now… Vols. II, III, IV and DVD

One of rock music's greatest live albums gets a sequel and shows a legendary singer/songwriter at the peak of his powers.

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The Tragically Hip: Man Machine Poem

This may be this inventive Canadian outfit's swan song, but you don't have to cry. It's as good, if not better, than any of the band's past glories.

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The Dexateens - “Teenage Hallelujah” (audio) (premiere)

"Teenage Hallelujah" is the quintessential Southern rock song, dusty and distorted and frenetic.

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The Conquerors - “Turned Me to Stone” (audio) (premiere)

There’s a reason the Beatles were so popular back in the day, and the Conquerors’ excellent approximation of that success is ample proof why.

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‘Into the Maelstrom’ Provides a Fascinating View of 20th Century Underground Movements

Free music performer and writer David Toop spends much of his latest effort exploring the philosophical and artistic movements from which pre-1970 performers drew inspiration.

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The 100 Greatest Alternative Singles of the ‘90s

Last fall we brought you the 100 Greatest Alternative Singles of the '80s. Now, we move forward in time and examine what many consider the "golden age" of alternative rock, with the "100 Greatest Alternative Singles of the '90s".

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Elise Davis - “Finally” (audio) (premiere)

At the end of the day, rock ain’t so bad.

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Pink Talking Fish Take San FranPhishco

Pink Talking Fish mix the repertoires of Phish, Pink Floyd and the Talking Heads. Now they’re boldly joining the Phish aftershow party cottage industry.

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James Williamson and Petra Haden - “Blues Jumped the Rabbit” (audio) (premiere)

It’s a gloomy, slow song, but it’s one full of instrumental light, borne aloft by crystalline piano and echoing guitar.

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//Mixed media

Oz Is Not As Down Under As Everyone Thinks It Is

// Re:Print

"Frank L. Baum's Oz isn't in the land of Aussies, as one might think, but in a far more magical setting.

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