By Matt James
Be it half-full or half-empty, please raise a glass for Panic! at the Disco. Yes, brothers and sisters, the exclamation mark is back.
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
Cannes 2015: 'Dheepan' and 'The Lobster' Depict Different Kinds of War
Cannes 2015: Women Resist Their Masters in 'Sicario' and 'The Assassin'
"The charisma of Giuliano Gemma and some stellar action sequences can't save this sub-par spaghetti western.