Thursday, August 18 2011
Today runs the gamut. Hollywood to indie art house, female perspective to male, screwball comedy to chamber drama. The odyssey from Ernst Lubitsch to Vincente Minnelli will provide illumination on how film's first special effects were used, how two brothers presciently preceded reality TV in the Hamptons, and why some directors prefer to work about once a decade on average...
Thursday, March 25 2010
It was Judy Garland’s afﬁnity for the absurd that triggered Vincent Minelli’s idea for a ﬁlm version of The Pirate, a rakish story that would employ Garland, Gene Kelly, and a very strange song composed by Cole Porter.
Tuesday, May 12 2009
This biography, which too often skips over Minnelli's personal life, offers little more than wooden, uninspired analyses of the director's 30-plus films.
Sunday, January 1 1995