Articles tagged viola davis

How to Get Away with Murder: Season 2, Episode 4 - “Skanks Get Shanked”

Interpersonal strife abounds, both in and out of court, and Team Keating begins its slow decline.

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How to Get Away with Murder: Season 2, Episode 3 - “It’s Called the Octopus”

Annalise and Team Keating are keeping things heated, both in court and in bed.

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How to Get Away With Murder: Season 2, Episode 2 - “She’s Dying”

The slower pace of episode two allows for much-needed character moments and narrative developments.

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How to Get Away With Murder: Season 2, Episode 1 - “It’s Time to Move On”

Fresh off an Emmy Win, Viola Davis brings Annalise Keating back to the screen, with plenty of blood on her hands.

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6 Apr 2009 // 5:20 AM

Without a ‘Doubt,’ this is one fine movie

“Doubt,” the excellent movie John Patrick Shanley adapted and directed from his Pulitzer- and Tony Award-winning play, works on many levels. Like the play, the

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Five questions with ... Oscar nominee Viola Davis of ‘Doubt’

Viola Davis seemingly has rocketed onto the scene with her strong performance as Mrs. Miller in “Doubt,” a role that earned her an Oscar nomination

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19 Feb 2009 // 3:31 AM

This year’s Supporting Actor?

When it comes to the best supporting actor Oscar, the winning hand could be held by The Joker. That, of course, is the late Heath

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Iconic - The Top 20 Male Performances of 2008

Like the gladiators of old, 2008 resembles a battle of formidable acting gods, especially when looking over the 20 choices presented below. Indeed, if anything, choosing a winner requires more of a leap of faith than any amount of critical skill - they all were that good.

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Tough and Tender - The Top 20 Female Performances of 2008

Twenty talented ladies, 20 performances worthy of multiple little gold men. Unfortunately, as in all years, someone has to come out on top. But after looking over this impressive list, picking the preeminent turn of 2008 seems almost impossible.

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8 Jan 2009 // 5:02 AM

In battle of stage vs. screen, the play wins

As movie adaptations of stage plays go, the recently released “Frost/Nixon” and “Doubt” are among the best of recent vintage, not least because the

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12 Dec 2008 // 3:51 AM


Sister James (Amy Adams) embodies her historical moment, yearning to believe, adhering to tradition, and yet also inspired by a changing world.

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11 Dec 2008 // 7:59 PM

Shameful Exposure

A fiery Kate Winslet saves morality tale in 'The Reader' while a similarly powerful Meryl Streep can't do the same for the overly certain 'Doubt'.

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Film Raises ‘Doubt’ In Audiences As Well

Faith is a very tricky thing. Belief without a foundation in fact, or the possibility of proving either, gives religion its raison d’être, and

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26 Sep 2008 // 6:53 AM

These ‘Nights’ are Nauseating

Chemistry is the key to a good onscreen romance. Remove this vital cog, and the entire cinematic machine sputters and dies, right? Well, that’s

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26 Sep 2008 // 2:00 AM

Nights in Rodanthe

In an alternative universe, Jean (Viola Davis) does have a story -- one that you'd rather be seeing as Nights in Rodanthe descends into mundane melodrama.

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Talk, Talk, Talk: December 2008

Just like the end of an inspiring speech that may or may not succeed in making its point, these final four weeks before 2009 tend to define or defeat the entire awards season purpose.

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Talk, Talk, Talk: September 2008

From wars both past and present to a number of nail-biting thrillers, September is sizing up as a potentially profitable one.

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26 May 2008 // 8:10 AM

The Andromeda Strain

The Andromeda Strain offers several physically fit and non-nerdy doctors, and conveniently deposits them as a group inside the Wildfire Lab.

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22 Aug 2007 // 9:58 PM

The Architect

Anthony LaPaglia delivers a brilliantly understated performance as a man who has the ability to build, but not maintain, and the desire to reconstruct, but not renovate.

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2 Aug 2007 // 1:00 AM


Traveler over-promised and under-delivered.

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More Recent Articles
//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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