By Matthew Callan
Edward Dmytryk makes fine use of the French Quarter's Byzantine ironwork, its shadowy foyers, and the Escher-like twists of its courtyards and balconies.
Tim Bowness: Stupid Things That Mean the World
'Lovers At the Chameleon Club' and the Stories We Tell Ourselves
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
'Ex Machina' and the Moral and Intellectual Facets of AI Development
Lianne La Havas: Blood
LA Priest: Inji
"You pick your feet in Poughkeepsie, and we pick The French Connection for Double Take #18.