By Josh Timmerman
Ken Loach’s controversial Palm d’Or winner is a work of supreme ambivalence.
By Cynthia Fuchs
Ken Loach's Cannes Palme d'Or-winning film uses a familiar narrative form, it does so in a way that leaves the form itself in doubt, heroizing no one, offering no resolution.
Clive James Proves That Great Literature Is Not Dead
Night Beds: Ivywild
Tom Cruise Teaches the Genre What Action Is All About With 'Mission Impossible - Rogue Nation'
The Media Circus Begins in ‘Best of Enemies’
Omar Souleyman: Bahdeni Nami
Various Artists: Shirley Inspired
Mark Springer: The Watching Bird / The Rip Rig and Panic Piano Solos
'Tangerines' Is a Passionate Plea for Diplomacy and Coexistence
"When episode six opens to find Elliot in terror and panic, it is soon confirmed that he should be.