By Alan Ranta
Reid Dunn's debut long-player for Rephlex is full of juicy bass and cleanly separated glitch, but he manages to blend these ingredients into a brick wall rather than using them to break that wall down.
The Internet: Ego Death (take 2)
'Five Easy Pieces' Must Be Appreciated on Its Own Cantankerous Terms
Sex, Lies, and Uprising in 'A Gay Girl in Damascus: The Amina Profile'
Tim Bowness: Stupid Things That Mean the World
'Lovers At the Chameleon Club' and the Stories We Tell Ourselves
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
"How do you decide who lives and who dies?