Monday, September 8 2014
Magic Boy is Japanese animated cinema in the style of Disney.
Tuesday, July 29 2014
Home video companies such as Kino Lorber, the Criterion Collection, and Flicker Alley have been instrumental in meeting the changing methods of distributing silent film.
Tuesday, June 3 2014
Aimed at younger viewers, this BFI period collection about runaways and tearaways manages a good mix of entertainment, education and social commentary.
Sunday, August 21 2011
Pushing boundaries seems to be the thread that ties the directors of our seventh day together. From Japanese innovators to Italian iconclasts and Polish provocateurs, the directors that fall between Kenji Mizoguchi and the man who was perhaps India's greatest visual storyteller, Satyajit Ray, all push the form in incredible, surprising ways.
Thursday, July 21 2011
Into this movie's milieu of prison terms, all-night gambling sessions and literal and figurative back-stabbings arrives a dewy young woman named Saeko (pronounced, more or less, 'psycho') who is very young and very tired of life.
Wednesday, May 11 2011
Clever and strategic emblems placed along the way define this modern cinematic take on Holman Hunt's The Awakening Conscience.
Monday, December 13 2010
This is one of the best DVD releases of the year. It's so substantial, and so thorough, that it becomes not so much a DVD collection as a small, single-subject library of film.
Thursday, October 21 2010
Today we bring to an end our examination of each of the films of Kurosawa directed in his amazing career. After the ambitious epic Ran, Kurosawa embarked a three smaller but more personal films.
Wednesday, October 20 2010
The three films featured today represented the director's ascendance to greater international acclaim, even while he struggled to find financing in Japan, where the movie industry was shriveling. All three of these films were made either in whole or in part by Soviet, American, or French financing.
Tuesday, October 19 2010
These three films by Kurosawa represent the end of one phase of his career and the beginning of another. High and Low is a police procedural that is regarded as one of his greatest films, while Red Beard represented the end of his so-called "Creative Period".