Articles tagged yasujiro ozu, japanese cinema, 1960s cinema, silent film, japanese culture, japanese design, bfi

Asquith’s 1928 ‘Shooting Stars’ Is ‘The Player’ of Its Day

Half-affectionate and half-critical, Shooting Stars mines both comedy and drama from the workings of the studio and the machinations of movie-making at this time.

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Cultural Critique, Silent Film Style

These five '20s-era silent films, newly available on Blu-ray, bring key moments in history vividly to life.

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‘Fantômas’: The Affair of the Freshly Scanned Scoundrel

Should Fantomaniacs go Blu-ray?

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Silent Film Speaks Up: This Newly Restored Chaplin Comedies Elicit New Laughs

Flicker Alley’s recent release of 15 newly restored comedies from Chaplin’s time at Essanay Studios is another priceless intervention in the decay of Hollywood history.

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21 Dec 2015 // 9:00 AM

We Wish You a Silent Christmas

Fans of silent cinema might bug Santa for these.

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‘Underground’ to ‘Wonderland’: BFI’s ‘London on Film’ Season Celebrates the Nation’s Capital

From Asquith’s Underground (1928) to Winterbottom’s Wonderland (1999), BFI celebrates cinematic representations of the English capital with an ambitious summer season that highlights the city’s continuities and changes.

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The First Wave of Releases in ‘The Films of Charlie Chaplin’ Find the Tramp at His Comic Peak

The Kid, The Gold Rush and The Circus prove that the years have done nothing to diminish the brilliance of Chaplin's early comedy.

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Revolvers, Redemption, and Yasujiro Ozu’s Silent Film Experimentation With Crime Drama

Like Jean-Luc Godard and other French directors who were later influenced by the American crime film tradition, Japan's own Yasujiro Ozu made the genre his own.

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Tribeca Film Festival: Harold Lloyd’s ‘Speedy’ With Live Soundtrack by Z-Trip

Criterion's new restoration of Harold Lloyd's Speedy was screened with a live score accompaniment from turntablist Z-Trip at this year's Tribeca Film Festival.

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20 Apr 2015 // 12:18 PM

Double Take: Metropolis (1927)

Double Take looks at the men, the machine, the Moloch, the maiden, the master, and Metropolis as we attempt to find the intermediary heart between the Expressionism and politics.

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2 Mar 2015 // 11:00 AM

Double Take: The Kid (1921)

This installment of Double Take turns its gaze to Charlie Chaplin's debut full-length silent film, which is at turns funny, heartbreaking, and tender.

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‘Magic Boy’ Is Dotted With Adorable Animals

Magic Boy is Japanese animated cinema in the style of Disney.

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Living and Dying for Silent Film

Home video companies such as Kino Lorber, the Criterion Collection, and Flicker Alley have been instrumental in meeting the changing methods of distributing silent film.

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‘Runaways’, Rebellion and Reissue

Aimed at younger viewers, this BFI period collection about runaways and tearaways manages a good mix of entertainment, education and social commentary.

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The 100 Essential Directors Part 7: Kenji Mizoguchi to Satyajit Ray

Pushing boundaries seems to be the thread that ties the directors of our seventh day together. From Japanese innovators to Italian iconclasts and Polish provocateurs, the directors that fall between Kenji Mizoguchi and the man who was perhaps India's greatest visual storyteller, Satyajit Ray, all push the form in incredible, surprising ways.

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‘Pale Flower’: Living for Death

Into this movie's milieu of prison terms, all-night gambling sessions and literal and figurative back-stabbings arrives a dewy young woman named Saeko (pronounced, more or less, 'psycho') who is very young and very tired of life.

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‘Sliding Doors’ Meets ‘Mad Men’: ‘The Awakening Conscience’ in James Hill’s ‘Lunch Hour’

Clever and strategic emblems placed along the way define this modern cinematic take on Holman Hunt's The Awakening Conscience.

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‘Shadows of Progress’ Is a Testament to the Best in Documentary Filmmaking

This is one of the best DVD releases of the year. It's so substantial, and so thorough, that it becomes not so much a DVD collection as a small, single-subject library of film.

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Kurosawa 101: Day Ten, 1991 - 1993

Today we bring to an end our examination of each of the films of Kurosawa directed in his amazing career. After the ambitious epic Ran, Kurosawa embarked a three smaller but more personal films.

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Kurosawa 101: Day Nine, 1975 - 1985

The three films featured today represented the director's ascendance to greater international acclaim, even while he struggled to find financing in Japan, where the movie industry was shriveling. All three of these films were made either in whole or in part by Soviet, American, or French financing.

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The Sound and the Warmth: An Interview with Cardiknox

// Sound Affects

"New York's Cardiknox are taking more steps in their goal of world domination. With their debut record Portrait out, the band are dreaming big, wanting to transcend the indie pop scene.

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