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Just from looking at her, anyone can guess the answer to this question. But ask it anyway, man. You’re a professional!


Ms. Amanda Seyfried, star of “Mamma Mia!” and the new romantic tear-jerker “Dear John,” have you ever gotten a “Dear Amanda” letter?


“Oh, nooo,” Seyfried says. “Well, not yet.”


She’s young. Give her time.


Letters are very much on Seyfried’s mind these days. “Dear John” is about a long-distance romance between an Army Ranger and a college girl he met over spring break, a love kindled by letter writing. And “Letters to Juliet,” coming in May, is a lighter romance in which Seyfried plays a young woman who discovers a “letter to Juliet” that lovers leave in the Verona courtyard where Shakespeare’s characters are thought to have lived, and sets out to find its author. Seyfried is just 24, and these movies have her believing she and her generation missed out on something.


“I grew up after letter writing died out. I mean, I had pen pals growing up, but with e-mail and texts and everything else, who does that anymore? We’re losing the personal touch, the effort, the thought process that goes into writing something to someone, not just blurting it out in a text. The actual piece of paper is something I miss, too.


“Sure, it takes longer for a letter to be written, mailed and get to you. But it keeps love alive, to be thinking about when the mail comes, waiting for that next letter from somebody you love. You live by it. We need so much immediacy and we’re sacrificing something more personal, more intimate. We’re so impatient and I think texting and all this technology that gives us instant access adds to our anxiety. I struggle with that myself.”


One thing she isn’t struggling with is her career. A former child model turned screen ingenue who made her film debut in “Mean Girls,” Seyfried was pronounced a “charming discovery” by critics like Pete Hammond (Hollywood.com) when “Mamma Mia!” came out. But the girl had been prepping for that break-out. She sings in “Dear John” — no big surprise given her experience in musicals, including “Grease” on Broadway. The novelty is that she accompanies herself on guitar — and wrote the song herself.


“I’ve been playing for about six years. But that’s something I do in my private life. Lasse (Hallstrom, the director) asked me to bring my guitar to the set one day, and I said ‘No,’ but I did it anyway ... And now I’m on the soundtrack!”


Seyfried (pronounced SIGH-frid) is on the critically acclaimed cable TV polygamy drama “Big Love.” A film of Oscar Wilde’s “A Woman of No Importance” is in her future. And her present? Maybe a little less time online and a little more with pen in hand.


“I did happen to have a boyfriend, not too long ago, who enjoyed writing me letters, because it is romantic and it makes you feel so special to get one.


“I just came across an old love letter from him just the other day, and I just melted. The familiar hand-writing, the envelope, remembering how I felt when I got it. An amazing experience, even though we haven’t been together for a long time. But what’re we going to do when there are no love letters? You can’t save texts.”

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In this edition, we focus on Robin Hood (2010), Letters to Juliet, Loose Screws: Screwballs II, Babies, and Vigilante
7 Jun 2010
Since I can’t bear to think about any of it for more than a minute without falling into a nostalgic regret-tinged swoon over what might have been, I’ll get to the point. I owe you that much (but not enough to actually tell you this in person, or on the phone).
By Barry Koltnow
7 Jun 2010
14 May 2010
The light breaking through yonder window is the glare of critical scrutiny - and Letters to Juliet looks pathetic in it.
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