DC Universe Online takes a super effort to play

by Alex Pham and Ben Fritz

Los Angeles Times (MCT)

12 January 2011


LOS ANGELES — In creating an online video game based on Superman and the others in the DC Comics pantheon, it was no problem giving the characters the power to stop a locomotive or leap tall buildings in a single bound.

They just couldn’t run faster than a speeding bullet.

The developers of DC Universe Online encountered an unexpected problem when they set about creating the video game: Superheroes and villains that shared the Man of Steel’s velocity could also outrun bullets and dodge missiles fired to eliminate them. Players would quickly grow bored.

“If people are always running away,” said Chris Cao, the game’s director at Sony Online Entertainment, “it makes the game less fun.”

That hiccup, along with a multitude of others, added to a development process that was itself epic in proportion. Players create their own hero or villain and interact with legendary DC characters such as Batman, Wonder Woman, Lex Luthor and the Joker. Guided by these icons, players can act out their superpower fantasies by taking on solo missions or teaming up for more complex battles.

Initially slated for release in 2009, DC Universe Online took 150 programmers and artists across four U.S. cities 5 1/2 years to complete, at a cost of more than $50 million. That’s roughly twice the budget and timeframe of a typical game.

DC Universe Online is atypical in another way — it belongs to a rare class in which thousands of players can inhabit the game’s world simultaneously and interact with one another in real time.

And its success is crucial for Sony Online Entertainment in San Diego, a unit of the electronics giant that once was the market leader in online games but now lags behind Activision Blizzard Inc., maker of the popular World of Warcraft. It’s also significant for DC owner Warner Bros., which is trying to build its superhero library into a blockbuster brand across multiple media, including a “Green Lantern” movie opening in June.

The odds are long. Numerous games have gone up against World of Warcraft in recent years and failed. But Sony executives say DC Universe Online will succeed because it does more than copy a successful model: It’s the first so-called massively multi-player online game to feature realistic physical simulations.

DC Universe Online also was the only one on the market to play not just on computers but also on a living room console, in this case the PlayStation 3.

“No one can afford to spend that much money on a game and not have a hit,” said Geoffrey Zatkin, a former Sony executive who is now president of consulting company Electronic Entertainment Design and Research. “But if they make it work, it could be an opportunity for them to reach an audience that World of Warcraft can’t touch.”

The straightforward economics make it clear why Sony and Warner Bros. find subscription-based online games appealing. Each of the 12 million-plus people who play World of Warcraft pay $10 to $15 a month, giving Activision Blizzard a profit margin of 51 percent.

With big opportunity, however, comes big risk.

Along with the large development cost, online games require continual updates and around-the-clock customer service. Several attempts based on entertainment franchises such as “Star Trek” and “The Lord of the Rings” have not met the level of success to which DC Universe Online aspires.

Both Sony and Warner know how tough the market can be. Sony’s EverQuest ruled the massively multi-player online game market for five years until the launch of World of Warcraft in late 2004. In 2005, Warner launched the Matrix Online, based on its hit movie series, and immediately struggled. A few months later, the studio unloaded the Matrix game on Sony to manage.

In the process, Warner executives began talking with Sony about making a DC game, which the Burbank movie studio had initially wanted to develop on its own. The timing was fortuitous for Sony, which had come close to signing a similar deal with DC rival Marvel Comics before talks fell apart at the last minute.

Stung by the failure of Matrix Online, Warner negotiated a deal in which Sony would incur nearly all the costs of developing the game, with Warner receiving licensing royalties, according to executives familiar with the talks. Warner also agreed to release a biweekly comic book series based on the game, DC Universe Online: Legends, slated to begin publishing in February.

For the game, Warner enlisted DC Comics veteran artist and co-publisher Jim Lee to help Sony. Over the next five years he oversaw a team of six illustrators who created thousands of pages of concept art. Lee shaped virtually all the visual details in the game, from the silhouette of Gotham City’s skyline to a character’s eyebrow.

One reason that the DC Universe Online took so long to make is the amount of detail artists had to create for the game, which is set in Metropolis and Gotham City.

Another factor was the complexity of simulating superpowered fights on a grand scale.

“We had to make it so that a player sitting in L.A. can pick up a bus in the game and throw it at someone sitting in New York,” said John Smedley, president of Sony’s online game division. “And we had to be able to simulate it in real time for the 3,000 other players who may be there watching this.”

To broaden the potential base of players, Sony decided to layer on another challenge — release DC Universe Online for its PlayStation 3 game console. Although there are thousands of titles for the PS3 and its major competitor, Microsoft’s Xbox 360, none are massively multi-player online games.

Sony’s biggest challenge with DC Universe Online may be its subscription business model, which many other publishers have abandoned.

With so much free content on the Web, they have concluded, few players are willing to shell out every month for a single game. Instead, they’re taking a cue from South Korea and China, where free-to-play online games that make money from a small number of players willing to pay extra for souped-up weapons or cars are hugely popular.

“A subscription model is an impossible barrier,” said Craig Zinkievich, a former executive producer of Star Trek Online. “Many people simply don’t want to pay anymore. That has been a big change from prior years.”

However, Smedley defended Sony’s decision to charge $15 a month to play DC Universe Online.

“For kids and casual players, free-to-play makes more sense,” he said. “But this is a big-budget production, and it targets a more hardcore audience. The sweet spot is that 25-year-old male who doesn’t mind paying money to play a rich, immersive game they can’t get anywhere else.”

//Mixed media


The Moving Pixels Podcast Discusses 'Tales from the Borderlands: Episode 4'

// Moving Pixels

"This week Nick and Eric travel into space and plan an elaborate heist to steal Tales from the Borderlands - Episode 4.

READ the article