Sunday, August 14 2011
Mid-way through our series, Day 5 is a glorious mishmash of international auteurist cinema. Today we go from saints and sinners, from Brookyln to Britain, from the beginning of time to the Dystopian future, and around the world and beyond.
Tuesday, December 3 2013
As civil liberties were absorbed by the religious state and exacting codes of conduct were implemented with brutal force in Iran, Kiarostami used his canvas to show hope to his countrymen.
Monday, June 11 2012
Certified Copy invites us to both surrender to its aesthetic, decadent pleasures and also to meditate on the philosophical theories it exposes.
Wednesday, May 30 2012
The Paperboy and Like Someone in Love complicate viewers' experiences, detailing the lives of characters who look at first like they're only clichés.
Wednesday, July 21 2010
Abbas Kiarostami's breakthrough 1990 fiction/documentary eagerly chases down its fascinating subject, with uneven results.
Wednesday, May 21 2003
Abbas Kiarostami has made a career of demolishing our complacency as viewers, blurring the divides between fiction and documentary, spectator and screen.
Friday, October 12 2012
The Iranian director sets his latest film in Japan (in Japanese) with newcomers. The pervasive discomfort throughout manages to linger after the film ends, but the viewer is left to determine the conclusion.
Monday, May 21 2012
Day five witnesses a trio of films from some of the artform's leading lights: Michael Haneke returns with Amour, Hong Sang-soo competes with In Another Country, and the incomparable Abbas Kiarostami produces a new masterwork.
Monday, July 20 2009
A delightful, experimental discovery from the master of Iranian cinema...
Thursday, February 14 2013
Abbas Kiarostami is one of the pillars of Iranian cinema, but because of the turbulent climate at home and his own artistic inquisitiveness, he has recently traveled outside Iran to make his films, in a manner he parallels to the recent vagabond works of Woody Allen.