Wednesday, February 22 2012
Where we are now, in 2012, is on a darker plain especially for the large "Underclass". Perhaps Dickens can light our way?
Wednesday, June 22 2011
Since Jack Kerouac's On the Road, the notion of hitting the road to "anywhere but here" speaks to us not of grand rolling landscapes, but of an emergence into a truer, freer, state of being than our everyday routines allow.
Monday, May 28 2007
The serious Science Fiction film genre is dead or at least on cinematic life support. As the new millennial marches forward, and an omnipresent production paradigm that substitutes spectacle for smarts, futurist filmmaking is definitely gasping for breath.
Monday, March 10 2014
Television is especially good at pretending intimacy, at inviting you to feel close to emotional situations and worrying for characters you come to know over time.
Monday, February 24 2014
Gravity is not just a visual feast in the CGI age; it also interrogates humankind's desire to plant feet on the final frontier by confronting it with its metaphysical implications.
Thursday, October 3 2013
If the movie isn't an exercise per se, it is an exploration of what might be done, in and by movies, to convey or imagine an impossible experience.
Thursday, January 4 2007
Even with so much attention paid to her body and to her child, Kee's story is secondary to Theo's, as his loss of hope must be undone and his past redressed.
Wednesday, June 2 2004
Director Alfonso Cuarón brings to the franchise a newly inventive sensibility, and, most important, an appreciation for smart cuts and brevity, especially the requisite Quidditch scene, mercifully short, dark, and stormy.
Friday, October 4 2013
By taking the simple leap between a character’s personal isolation and the equally terrifying physical isolation of space, Alfonso Cuaron creates a vertiginous masterpiece.
Monday, March 26 2007
Cuaron talks about Children of Men, his powerful film with explicit references to the political present.