In a surreal world dedicated to a uniquely haphazard and comically inept breed of pretense, Bret Hart’s appeal was simple: he made everything seem 'real'.
Sex, Lies, and Uprising in 'A Gay Girl in Damascus: The Amina Profile'
Tim Bowness: Stupid Things That Mean the World
'Lovers At the Chameleon Club' and the Stories We Tell Ourselves
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
'Ex Machina' and the Moral and Intellectual Facets of AI Development
Lianne La Havas: Blood
"Veruca Salt is back and ready to kick ass and it feels so good.