Thursday, July 7 2011
Bob Marley’s story is that of an archetype, which is why it continues to have such a powerful and ever-growing resonance: it embodies, among other themes, political repression, metaphysical and artistic insights, gangland warfare, and various periods in a mystical wilderness.
Thursday, May 24 2007
"Music's got shit, Thatcher became God, ninety percent of the papers are right-wing and brown-nosing." -- Joe Strummer to Carol Clerk in Melody Maker interview.
Wednesday, May 23 2007
"(Joe) seemed this sad, lonely figure, confused with life, Hank Williams playing on his ghetto blaster in the background. I felt sorry for him." -- Mark Cooper, Record Mirror
Tuesday, May 22 2007
Johnny Greene and a roadie... found a rehearsal room... (it) was at the rear of a garage, the kind of premises you might see in American gangster films as heists are planned... Here, hunkered together with no visible means of financial support, the Clash would rigorously write and rehearse the new songs that would emerge as London Calling, which time would judge one of the finest rock 'n' roll albums ever made...
Monday, May 21 2007
"... people like Joe Strummer... were like the punk intelligentsia, they were the thinkers... (Joe) knew all the cultural and literary references, all the revolutionary references, and he put it all into context... there's a lot more ideas (sic) in one of Joe's rhyming couplets than there are in some people's entire albums..." -- Don Williams
Tuesday, October 16 2007
Redemption Song is quite an achievement, as it is not only the definitive account of Strummer’s life as its title promises, but also adds an important perspective to the existing literature on the Clash.