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The Flipside #9: 'Blade Runner 2049'
20 Oct 2017 // 3:10 AM
A big-budget sequel to a certified cult classic is always a dicey cinematic prospect, but with Denis Villeneuve at the helm, the Flipside fellas just couldn't wait to see what this new work would enhance.
PopMatters' 2017 Fall Film Preview: At Last, the Film Industry Awakens From Its Slumber
27 Aug 2017 // 10:00 PM
From Gary Oldman in The Darkest Hour to James Franco's meta-experiment Blade Runner: 2049 and Daniel Day-Lewis's final role, here are the movies you'll want to watch ... and a couple you might not.
40 Nights at the Movies (in the Comfort of Your Home): The Franchise
26 Nov 2015 // 5:59 AM
Back by popular demand! Recommendations from "40 Nights at the Movies" will keep you, your dog and your elephant glued to the couch for months.
In Many Ways, ‘Blade Runner 2049’ Is Better Than Its Predecessor
5 Oct 2017 // 5:30 AM
A near-flawless audio-visual presentation and fascinating ideas make Blade Runner 2049 Villeneuve's best.
‘Blade Runner 2049’ Is an Ambitious Vision of Startling Cinematic Beauty
4 Oct 2017 // 4:30 AM
Director Denis Villeneuve takes everything that was iconic about Ridley Scott’s Blade Runner and expands it into a sprawling examination of hope, destiny, and creation.
TIFF 2016: Colossal, Pyromaniac, Nocturnal Animals, Arrival, American Pastoral, Trespass Against Us
12 Sep 2016 // 4:30 AM
Monster mayhem, aliens, Philip Roth and dysfunctional families -- it's all in a day at Toronto International Film Festival 2016.
In 'Sicario', the War Is Next Door
25 Sep 2015 // 2:13 AM
The collapsing world order is chillingly illuminated in Denis Villeneuve’s stark cartel thriller.
Ryan Gosling and Director Denis Villeneuve Don't Know How the World Will React to Blade Runner 2049
2 Oct 2017 // 8:48 AM
For more than a year, 'Blade Runner 2049' director Denis Villeneuve and star Ryan Gosling have been working under the cover of CIA-level stealthiness.
Emily Blunt Hopes 'Sicario' Brings About 'Great Discussion'
21 Sep 2015 // 3:32 AM
“One of the strongest themes in this film is these cycles of violence,” Blunt said. “And is that necessarily the solution — to meet violence with further violence?"