How strange it is to realize that the modernist aesthetic, which we think of as the visual language of alienation and ennui, traces its roots back into silent comedy.
Walerian Borowczyk Explores the Obsessive Quest in 'Story of Sin'
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Maybe What's Going on in 'Get Out' Is All in His Head
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The Journey to Paul Gauguin’s Other World Is Well Worth Taking
Cannes 2017: Border Crossings in 'Jupiter's Moon' and 'Okja'
White Hills: Stop Mute Defeat
Juliana Hatfield: Pussycat
"In our role of the spooked cameraman, there’s just enough light to highlight our confinement -- but not enough to highlight the dangers.