George A. Romero
Features // 2 Articles
Columns // 2 Articles
Reviews // 8 Articles
Blogs // 1 Articles
//Features

2010 Summer Movie Preview - May
2 May 2010 // 5:00 PM

May blasts the summer season off with two mega-movies, Iron Man 2 and Robin Hood, while offering up yet more Shrek and Sex and the City.

Part 3: The Stellar '70s
19 Jun 2007 // 6:00 PM

When it comes to post-modern moviemaking, everyone stereotypes the Me Decade as the genre's defining moment. In this case -- as illustrated by the 10 films that represent it -- the categorization is more than accurate.

//Columns

The Zombification Family Tree: Legacy of the Living Dead
14 Jun 2012 // 6:20 PM

Deemed a "culturally significant" (if "sadistic" and "culturally irresponsible") film, how did 'Night of the Living Dead' redefine an entire genre and spawn more unofficial sequels (over 30) than 'James Bond' did official ones (22)?

The Demise of Horror Culture?
12 May 2008 // 6:00 PM

While the horror classics of 1968 may have indeed revitalized the genre, few today are aware of these movies' impact on the canon...if they acknowledge them at all.

//Reviews

'Day of the Dead' Is Shlock Without a Pulse
8 Oct 2013 // 12:10 AM

Day of the Dead ’s lazy attempts at sending up racism, sexism and consumerism betray the film’s obvious role as a product meant to distribute these sentiments because there was a market for them.

'Survival of the Dead': Man Dies, He Gets Stupid
28 May 2010 // 4:20 AM

Zombies are always about loss of identity, loss of morality and loyalty, as well as loss of discretion.

//Blogs

Romero's Latest 'Dead' Offers More than Mere 'Survival'
2 Apr 2010 // 7:46 AM

For over four decades now, George A. Romero has been the guardian of all things eerie and undead. His zombie films remain the watershed for

//Mixed media
//Blogs

A Chat with José González at Newport Folk Festival

// Notes from the Road

"José González's sets during Newport Folk Festival weren't on his birthday (that is today) but each looked to be a special intimate performance.

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